Babylon Movie – A tale of grand ambition and excess, it follows the rise and fall of several heroes in an era of decadence and corruption at the height of Hollywood.
Director Damien Chazelle explores the depravity of Hollywood’s Golden Age in this riveting tale of the transition from silent pictures to shows. Over the course of three incredible hours, the film follows a series of unlikely characters, including Margot Robbie’s lively young star Nellie LaRoy and Brad Pitt’s no-nonsense leading man Jack Conrad (inspired by Clara Bow and John Gilbert, respectively) as they go through all kinds of maddening events. throw parties and rule the ever-changing film landscape. Directed with genuine passion by Chazelle, this is a sprawling, sometimes bewildering epic that occasionally sacrifices narrative coherence in favor of clarity and glamour. However, there are some truly electric set pieces – including a memorable sequence involving the terrifyingly boring Tobey Maguire – while Justin Hurwitz’s thunderous score ensures this is a consistently thrilling emotional experience. The self-indulgent ending will leave some viewers scratching their heads, but it’s a fitting end to a film that celebrates cinema while acknowledging the industry’s flaws.
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He talks about the magic of movies and how important movies are to people, and he tells the story of how brutal and brutal it is for those who work in the business, and it creates a perfect storm. contradictions: how can a tool that brings such magic and joy to people all over the world be built on such depravity and vulgarity? The film’s answer at the end of the film is that it was all worth it in the end – all this pain, suffering and loss – none of it matters in the long run because the filmmakers are creating high art. seen in theaters around the world and it has forever connected with fans.
BABYLON is set in the 1920s, during the silent film era, and opens with an extravagant, decadent Hollywood party/orgy complete with drugs, sex, music and even an elephant! This opening pre-credits sequence runs for over 30 minutes and may leave the audience wondering, is this the point of the film? A long party sequence that shows what Hollywood was like in the 1920s? The good news is, that’s not the point of the movie. Instead, this series serves as an introduction to the story’s three main characters.
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We meet Manny Torres (Diego Calva), a young Mexican-American hired by a famous party host, and we first see him trying to take the elephant to the party palace, but at the party, he meets Nellie LaRoy (Margot). Robbie), a fun-loving young actress, crashes a party in hopes of being exposed. Manny tells him he wants to be a star and he already is, you’re either born a star or you’re not, and he says yes. We also meet Jack Conrad (Brad Pitt). time was the greatest hero of the silent screen.
When the party is finally over, Manny is ordered to drive a drunken Jack Conrad home, which he does. Jack likes talking to Manny and the next day Manny tells him he wants him to join him on the set of his movie as his personal assistant and Manny is dying to break into the movie industry, he agrees. Meanwhile, when an actress at a party overdoses and dies, the producer throws Nelly in her place. It’s a small part, one scene, but Nellie is more than up to the task.
In Jack’s film, after a series of brutal battles on location, the director finds himself without cameras, and Manny is sent to find spare cameras and return to the location before sunset, a task he decides to undertake.
The film then follows Nellie’s rise to stardom, Manny’s triumphant rise to the director’s chair, and Jack’s slow descent from box office stardom to Hollywood as he struggles to make the transition from silent to sound pictures. But don’t wait for A STAR TO BE BORN. As Jack learns in an interview with tabloid journalist Eleanor St. John (Jean Smart), the industry is bigger than all of them, doesn’t need any of them, and goes on when they die. So, Nellie and Manny’s success is fleeting.
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Coming back to the above mentioned scene, it is one of the best ever written in a movie with many well written scenes. Journalist Eleanor tells Jack that although he is crushed by the magic of the movies, he is not succeeding now, but he will be immortalized. Fifty years after his death, young posthumous fans discover him on film, love him, and even believe they know him because he was on film. It’s a great conversation, mostly because it’s true. This is exactly what happens to actors from old movies, and it perfectly describes the connection that fans and moviegoers have with these actors decades after they walked the Earth.
I loved Damien Chazelle’s script because it had so much to say and was my favorite part of the film in a visually stunning film.
On the surface, the script speaks to the comical mania surrounding filmmaking, especially during the silent era. For example, in a fight sequence in Jack Suits, a man dies after being stabbed in the heart with a spear, and the team stands around his body, commenting that he was struggling with alcohol and probably stabbed himself. Okay. Manny is tasked with finding an extra camera before it loses daylight and drives an ambulance to get the camera back to the sunset before sunset. And then Jack, drunk and barely able to walk all day, waits for the camera to arrive, trudging up the steep hill so the director can get the shot.
There’s also an interesting sequence detailing Nellie’s first attempt at a sound film and how nearly impossible it was to get the sound right. This sequence is reminiscent of a similar sequence in Gene Kelly’s classic musical SINGIN IN THE RAIN (1952). More on this connection later.
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Beneath the surface, the script has a lot to say about the inconsistencies in the lives of the people who juxtapose the movies with the magic they create on screen, as the players often live in poverty and once they become moneyable, their lives spiral. out of control due to alcohol and drugs. It’s not a pretty picture. In Nellie’s case, her gambling problem leads her to cross paths with some very dangerous people.
Also, Jack has a constant argument with his wife about movies and art. Jack insists and eventually becomes convinced that movies are the highest art and that they are more important than any other art form in the country. He points out that the rich go to Broadway and the common people go to the movies, and that movies are very important to people’s lives; and Jack points out that Broadway plays draw audiences of thousands. But movies reach millions and millions of viewers. This is a well received point. This is also true.
Behind the camera, Damien Chazelle almost scores high. While there are plenty of expertly edited sequences that really bring these moments to life, the film clocks in at three hours and nine minutes and sure could use a full edit to trim it down. Some of these moments certainly could have been shorter. But they’re all so good it’s hard to complain.
For example, in a long sequence at the end, Manny tries to pay Nellie’s game debts to the mysterious and deadly James McKay (Tobey Maguire, in a scene-stealing scene), and McKay invites Manny to a Los Angeles underground. , scary and disturbing. You could argue that at this point in the film, the film goes full-on horror. It’s terrible.
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While Brad Pitt gets top billing, the story is mostly about Nellie and Manny, with Margot Robbie and Diego Calva getting most of the screen time, and both are great. I’m a big fan
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