Black Phone Movie – The phone hangs on the wall, black and dead. The children who were sleeping and eating there died because they were beaten there.
Finney wasn’t the first boy to find himself in this cracked, barren basement in Denver in 1978.
Black Phone Movie
, people call him – the place is well prepared. The bed is fixed to the floor. The cottage is on a corner lot. The metal door closes tightly. The basement is soundproofed by Graber’s own hands. When Finny screams, no one is sure to hear.
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Finny knows he’s right. But as Grabber leaves the room, he screams anyway—desperate, panicked wails that he hopes will work through a crack in the wall and a seam in the basement window (six feet up, barred).
But no one heard the cries of others. Finney, the budding baseball star, was almost out that summer, not Bruce’s. Not Robin, Finny’s tough, world-wise friend. They all screamed and Finny knew. They all just disappeared.
The telephone – with its dial and cut cord – is a relic of the past. A happier one, perhaps. Finny doesn’t know why Grabber left it there. Perhaps he never came close to taking it off. Maybe he likes the way it looks. Perhaps somewhere in his warped brain he relishes the irony: a beacon of hope in that hopeless place; A symbol of the broken relationship of lives.
Finny’s life wasn’t exactly hot before he got The Grabber. The 13-year-old was bullied and sometimes beaten at school. His father was also abusive – drowning in long periods of grief in alcohol and anger.
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But amid those trials, Finny developed a jealous relationship with his younger sister, Gwen. Both support each other. When Gwen stays the night at a friend’s house, Finny promises to “look after Dad.” Finn does – carefully takes the glasses from his sleeping father’s hand and the trash can.
Finny is partially protected from the school bullies by his small but understanding friend, Robin. As a handful of big boys prepare to beat Finn up in a bathroom, Robin walks in – telling the bullies that if they mess with Finn, he will.
(Although more colorful language is used). Even though they are all a foot taller than Robin, they hold them back.
When Robin isn’t available to protect Finny, Gwen is: When the bullies take Finny out, Gwen sees what’s going on and flies into the fray – doing her best to protect her big brother.
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When Finny is picked up by The Grabber, he gets some unexpected encouragement. Despite being passive in the face of those threats, he is told that he is stronger than he gives himself credit for.
Is supernatural power, while help is more tactile and tangible: ghosts are chased away with dawn, vampires are killed with wooden sticks.
Running that script. Evil here is as constant and obvious as a flesh-and-blood stranger on the street. But help seems to be coming from outside.
Some of that help comes directly through the Black Phone itself. Through that phone, Finny is able to talk to Graber’s former victims – all of whom have something important to tell him. The coexistence they live in doesn’t look particularly good: we don’t know much about it, but one boy tells Finny that they don’t play baseball there, and the other says that knowing their names is the first thing they lose. It seems as if their souls are slowly disappearing – perhaps holding back a measure of revenge on their killer.
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We learn that Gwen has dreams that sometimes come true. (Her mother was apparently “touched” in the same way.) But she also prays to Jesus and hides a bunch of religious charms (a cross, a Gideon’s New Testament Bible, a picture of Mary, among others). doll’s house Her father doesn’t approve of her dreams, and he doesn’t approve of all those prayers. But when Finny is kidnapped, Gwen prays fervently and passionately—asking Jesus for dreams that will help her find and save her brother.
Her relationship with the Almighty isn’t postcard perfect. She bargains (saying she’ll follow Jesus for the rest of her life if he helps her) and lashes out with an angry, profanity-laced rant when her dreams don’t seem to add up. She wonders aloud if Jesus himself is real.
But the movie implies (without baldly stating) that he is. When Gwen admits that Jesus doesn’t often interfere with what happens on Earth, she asks for an exception—and he seems to give her one.
Intersections can also be found elsewhere. Grabber almost always wears a mask and most have horns – making him look like a demon. Finny worries about an urban legend that you shouldn’t say Grabber’s name out loud.
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We never see the grabber harm anyone, but we can assume that the grabber’s motives are at least partially sexual. His victims are all boys, most of them teenagers. When Finny wakes up in his basement prison, he finds Grabber staring at him. Finny asks what he’s doing, and his captor says, “I wanted to see you.”
He sets traps for his victims, we’re told – waiting and watching them do something “bad”, shirt and belt in hand. When they do this “bad” thing (like trying to escape), they become “bad” and the Grabber’s “game” goes to another level.
Finny’s bullies insinuate that he’s gay — and call him “Coolie,” among other rude names. It turns out not to be: Finny has a crush on a girl. When the girl volunteers to be his science lab partner, Gwen teases him about his new “girlfriend” all the way home.
Take Finny’s bully friend Rob. We see a big boy who challenges Robin to a fight, which he eagerly accepts. Not only does he win, he beats the guy and punches him repeatedly in the face until he’s covered in blood. He later told Finny that he didn’t want to go that far. But he knew the fight had an audience, and Robin wanted to send a strong message: “The more blood, the better – for the audience.”
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The trio of bullies eventually deal with Finny. They threw him to the ground and kicked him several times. As Sister Gwen tries to save him, she knocks over one of Finny’s attackers, incapacitating him. But something finally clicks in Gwen’s mouth: she and she freeze to be next to each other, incapacitated and bleeding from their wounds, as the bullies continue their attack on Finny.
Another teenager gets into a fight with a few others at a convenience store. Each inflicts their own cuts, with one teenager cutting a set of numbers on another’s wrist with a knife.
As mentioned, Finny and Gwen’s father Terence is abusive. We see him brutally beat Gwen with a belt (the actual blows are out of camera range) – his way of “encouraging” her not to believe that her dreams are more than dreams. [
] We learn that Gwen’s mother also had dreams that seemed to predict reality and the future, which drove her to commit suicide.
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We see apparitions or ghosts draped over the wounds of Graber’s other victims. One appears to be hanging in the air, his front facing the ceiling, his back arching more than perhaps necessary. One was killed with an ax on the head; Another victim was strangled. Someone kicks his leg. People are sometimes beaten with weapons. One of The Grabber’s victims tells him that it’s part of The Grabber’s “game” to beat his victims with a belt until they pass out.
Finny uses a toy rocket ship to cut a large hole in Grabber’s arm. We see the graves where De Graber buried his victims. He threatens to make Finny drink “like a pig” if he makes a sound, and then strangles the boy with his own guts. A class prepares to dissect frogs. Bloody injuries are prominent in the opening credits.
To Finny who says his dad would never let him watch an R-rated movie. However, when his father disappears at night he watches an old horror film on television: the film, though mostly in black and white, has a lot of red blood – including a bathtub full of hands slowly exuding the stuff.
About 30 f-words leave the conversation here. Many of them are voiced by Finny’s little sister, Gwen, and directed at bullies, cops, and even Jesus himself. We hear about a dozen instances of the s-word, along with occasional use of “b-ch,” “d-n,” “h-,” and “f-g.” God’s name is paired with “d-n” at least three times, and Jesus’ name is misused once.
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Finny and Gwen’s father is a constant drinker. We first meet Terence recovering from a hangover. He always has some kind of drink in his hand, and he rarely looks completely sober. In an attempt to stop hitting Terence
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