Elvis Movie Review – It is scheduled to hit theaters on June 24. Today I’m reviewing the movie and I’ll tell you my thoughts and whether it’s worth watching
I remember being in the car with my dad as a kid, listening to Elvis and loving his music. There was something so unique and different about his voice that all these years later I still have his music playing in my car, on my headphones or on my vinyl player, so why was I afraid to check it out?
Elvis Movie Review
And The Great Gatsby were both great films From the moment the film begins, you feel Luhrmann’s footsteps and the film never looks back. So how does an Elvis movie work? First you have to have the right Elvis. Then the music has to work and the story has to be told to the artist in a subtle yet effective way.
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Let’s start with the story Luhrmann handles Elvis’ story with grace, care and love that makes you fall in love with the man. He highlights many important aspects, including his influence (and borrowing/borrowing) from Memphis culture, his family roots, and the struggles he faced early in his career.
Another thing Luhrmann did besides writing the script was connect the story to the music. Every song has a poem, why is it in the movie? Not only that, but how he made the performance so emotional and raw, I’m still amazed at how he incorporated it.
Who knew having the next perfect Elvis could be something? The movie’s “Complex” moment made me feel like we were watching a star being born before our very eyes.
There were times when I thought I was watching Elvis himself when Austin Butler transformed into the King of Rock and Roll. Butler put his heart into this play and it shows because you feel everything the character feels. I still can’t tell how he nailed this performance I’m not going to watch the Oscars again if the academy doesn’t nominate this guy
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Supporting characters surrounding Butler make this film better The trailer doesn’t do Tom Hanks justice as Colonel Parker, but Hanks gives one of the best performances of his career. He was a great villain and it was great to see Hank in style in the role.Also, Priscilla’s emotional bond with Butler, who blew me away with Olivia DeJonge, helped Butler be that way during their time together on screen.Calvin Harrison Jr. “Ever?” B.B. of the film. Played the role of King.
It bothers me that Luhrmann and his crew don’t talk about how sweetly they let us down in the middle of this era. Every element of the film, from the costumes to the direction, has been given attention to detail to set the tone.
Basically, when the credits rolled, I sat in my chair and cried like a baby (which I often do during movies). I can’t thank Luhrmann enough for the way he handled this story, Luhrmann handled every part perfectly, so from top to bottom the movie was absolutely terrifying. Catch this movie the moment it hits theaters It’s been a while since I felt like I was being beaten by a movie Leave it to Baz Luhrmann to end this fateful streak No less than an Elvis Presley movie – randomness is hard to come by. Elvis is a wonderful, immersive experience in the epic tradition of all of Luhrmann’s work. It’s a carnival in movie form: a giant, restless, twirling weapon as pathetic as any bloody geo, as uncomfortable as a sad clown. It’s too much. However, if it were less, it wouldn’t be as effective. Elvis finally starts not about Presley’s life, but about the life that consumed him and distorted him: Colonel Thomas Parker, his manager for many years. Played by the hilarious and stubborn Tom Hanks, Parker is a master of the tragic scene that follows. He’s our narrator, preacher, megaphone, and whip. is that person on that stage tonight. Get up. “Here he is: King (played by the sensational Austin Butler) lying on the ground, alive and pumped with fluids, so he’ll be as still as a corpse resurrected on stage.
Unsurprisingly, Parker’s telling of this story, which spans the entire film, has the unmistakable aroma of a dying confession. Parker said that Elvis’ death was caused by public love and constant need, including Elvis’ addiction to barbiturates and alcohol, which contributed to his apparent decline. Colonel Parker, whom we already know better, prepares us for the story of the rise and fall of Elvis, which in turn is the story of his rise and fall. The man, the legend, the legend falls for a hip, highly talented, blue-eyed soul whose tragic history predetermines that he remains the man who made him a dry blade. If you want bullet points for a typical biopic, you’ve got them in this movie. This is the story of Elvis’ life from his poor and troubled birth to his untimely and unknown death. But each stop along the way is given the weight of a whole world-shattering story: Elvis was already big before he was big. His wanderings in a black church and his capture of the Spirit as a shoeless child in Tupelo, Mississippi, represent the grandeur of an event that changed the course of history. Emphasizing the necessary details, Elvis carves out fascinating eras of Elvis’ personal and professional life: his Beale Street era, his Hollywood era, his time in the military, his marriage to Priscilla Presley (Olivia DeJonge) and his fateful run. Vegas International Hotel, etc., where we meet Parker again, and when we are forced to remember who is telling this story, we circle back to his origins and his long-awaited death. When it works, it’s infectious.For that matter, it’s a mystery to us, especially with Austin Butler, how Butler managed to survive the incredible repetition, tireless, emotional, sweat-stained performance of the role. Perhaps the best thing you can say about Elvis is knowing what the film is about. Luhrmann’s film doesn’t need an Elvis impersonator. requires an actor. Butler’s Elvis is a great actor – you really believe this is someone you can’t take your eyes off – but he’s also incredibly flawed and brave.
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He’s also responsible for stopping the libido, and it works, too.Elvis is a great movie with horns. It should be. Luhrmann has to drive the point home with strong tastelessness, calling out oohs and ahhs until it resembles overt lust. Butler’s job is to optimize it: he has to meet Luhrmann blow for blow. The film’s make-up and costume crews hire him as a left assistant, wearing jeans as thick as motor oil as he acts, adding to the imagination. Ultimately, it’s up to Butler to make it all happen and breathe life into Luhrmann’s style.
Elvis is a great movie about the sex appeal of a man and his life, and it never fails to make anyone gasp. Luhrmann’s zigzagging, triumphantly kitsch style suits his subject matter, but an Elvis film of this magnitude, even one by a director like Luhrmann, has other responsibilities, even if it’s not immediately politically recognizable. Ultimately, this is a separate story from the public sentiment surrounding Presley, which includes the political efforts to stop him, and the attitudes behind those efforts.
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