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Focus Movie
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Emma Watson Rejects Movie Roles To Focus On University Exams
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Focus may have a few twists too many, but it almost slips beyond its flashy setting and the charm of its stars. Read reviews
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Nicky (Will Smith), an experienced con artist, takes newcomer Jess (Margot Robbie) under his wing. When Nicky teaches Jess tricks of the trade, the two fall in love; but when Jess gets nasty, Nicky ends their relationship. Three years later, Nicky is working on a very dangerous plan in Buenos Aires, when Jess – now an accomplished femme fatale – shows up unexpectedly. Her arrival annoys Nicky at a time when he can’t afford to let his game go. Will Smith has a new movie coming up, so let’s all kneel down and pray it’s better than After Earth. The new film, which hits theaters on February 27, tells the story of Nicky Spurgeon, a con man whose romantic relationship with criminal Jesse Barrett complicates one of his biggest plans. The film was shot both in Buenos Aires – where “Big Con” is set – and in New Orleans, and the trailer looks like an international crime thriller à la The Italian Job. Is this crime story based on true events or earlier works? While the film seems to have a style of elegant scam stories, it’s not based on anything specific – although the scam game is very real. While Focus’s story isn’t based on real events, scammers use many of the same tricks as shown in the trailer.
Focus Trailer: First Look At Will Smith & Margot Robbie Crime Comedy
In the trailer, we see Robbie’s character Jess stealing a man’s watch, distracting him. It’s a real maneuver that can be learned. Apollo Robbins, a leading expert on pickpocketing, trust crime and fraud, consulted on the film and ensured that the actors portrayed these “frauds” as realistically as possible. Here you can see Robbins discussing the concept of focus itself.
Watch the Focus trailer below, and in the meantime maybe practice your own tricks.
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From hair trends to relationship advice, our daily newsletter has everything you need to sound like someone who’s on TikTok, even when you’re not. Cast: Will Smith, Margot Robbie, Rodrigo Santoro Release date: February 25, 2015 Director: Glenn Ficarra, John Requa Genre: Romance, Comedy, Crime, Drama Country: USA | Argentina Stream now Rob’s rating: Tim’s rating: Play for every dollar:
New Focus Images Feature Lots Of Margot Robbie And Will Smith
Having thought about it for a few days, I still haven’t decided if the Focus is particularly comfortable and solidly made for a poor movie, or extremely inconsistent and frustrating for a good movie. I think I’m leaning towards the latter in the end, if only because no project that so successfully relied on airing movie stars to do their best could really be called bad, not in these dark times when our movie stars they fail us. And it’s fair to say that only half of Focus’s lead actors can rightfully be called “movie stars” – Will Smith, directing his first adult film in seven years – Margot Robbie absolutely rejects the kind of casual, gorgeous, screen-grabbing performance that would instantly confirm her as a movie star if everything still worked the way it did.
Smith plays Nicky Spurgeon, a legend of deception; Robbie stars as Jess Barrett, an amateur who tries to trick him one night in New York with a sexy scam that she and her partner rush through, and Nicky finds out almost as soon as it starts. This ignites so much fire under Jess that he pursues Nicky to New Orleans, where he leads a veritable army of crooks and crooks in a frenzy of pickpocketing and other petty tricks to extort money from the unsuspecting and ignorant. He takes her under his wing, teaching her the tricks of the craft while he falls in love with her and she with him. Ah, but ah! This too is a scam and he really faked it so she could better play her part in the mother of all scams and repay everyone involved brilliantly. And while Jess gets her fair share, a broken heart isn’t worth it. Three years later, their paths cross again in Buenos Aires when Nicky sells his skills to racing team owner Rafael Garriga (Rodrigo Santoro), who wants to fix a race he probably already won. And it’s a job the dead-eyed grumpy Nicky is good at, until he finds out that Garriga is Jess’s new lover – and it turns out he hasn’t cheated on her at all since he pushed her back into his life. off.
It’s nice when things are simple, and the problem with Focus is something like this: the first half of the film, set in New Orleans, is delightful. The other half in Buenos Aires is not. It’s not that the first half is flawless, nor is the second half a wall-to-wall disaster, but the fact of the matter is that Focus is essentially two completely independent films wedged together, causing the second half reboot endless problems for filmmakers Glenn Ficarra and John Requa (who both write and direct). First, the first half is essentially told from Jess’s perspective, while the second half is told from Nicky’s perspective; It’s the kind of structured fantasy dance that could easily lead to a convincing mix of perspectives, but that’s not what Focus is interested in, and the result is a mix of campfires and anchors for the audience the film needs to pick up again. It’s easy to see where the movie is headed, especially as it enters its final turn and the similarities between the halves begin to intensify; it just doesn’t get where it wants to.
The second big problem is almost as simple, if not as easy to explain. I’m tempted to say that the best parts of the movie are the ones that focus on the art of cheating; As far as Nicky and Jess’s relationship is concerned more, things go sour (another reason why the second half is so much weaker than the first; the racing car trick cheating initially isn’t as delightful in its complexity as the finale or litany reveals well-executed tricks from the first half). Frankly, it’s a bit odd that it should be, given the film’s convincing argument that the two characters are flirting with contradictions, and the laid-back sexual chemistry between Robbie and Smith is easily the film’s strongest individual element. But it only works when sublimated under elegant style and plain pattern; Every time a movie focuses on flirting, sexuality, and attractiveness without filtering them, everything goes to hell. Part of this can be blamed on Smith for allowing things to get too serious (Robbie does a good job of capturing even the darkest moments when he has to play wild and throw away). I suspect above all that the flexibility of the film works better when it remains at the level of shallow fun, and Ficarra & Requa has a hard time recalibrating to real emotions.
Review: Focus Bd + Screen Caps
It’s all true, when Focus works it’s absolutely gorgeous, a sweet cocktail of sparkling shots and montage that makes all the cheat mechanics buzz and growl with expert clarity while the stars shine
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