Police Investigate Knock At The Cabin: Possible Robbery Attempt – At the heart of M. Night Shyamalan’s new thriller “Coke in the Cabin” is a terrible question that has only two terrible answers. Unfortunately, the answers are not only terrible for the characters, they are also terrible for the audience. Because no matter which way this movie goes, it hits a brick wall, no brakes.
Based on the novel “Cabin at the End of the World” by Paul G. Tremblay, “Coke in the Cabin” stars Jonathan Groff (“Matrix Resurrection”) and Ben Aldridge (“Spoiler Alert”) as Eric and Andrew, two. gay father holiday in a cabin in the forest, after a mistake, they adopted a daughter, Wen (Kristen Cui). All is well. Everything is loving. Nothing bad can happen.
Police Investigate Knock At The Cabin: Possible Robbery Attempt
Suddenly, they are visited by four mysterious strangers, led by the mild-mannered Leonard (Dave Bautista, “Glass Onion”), who are kind and thoughtful. Except that they carry old hand made weapons and demand to be believed. Before long, Eric and Andrew are tied to their seats, Eric is confused, and Leonard presents the show of the day.
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It turns out that Leonard and his team, Redmond (Rupert Grint, “Slave”), Sabrina (Nikki Amuka-Bird, “Persuasion”) and Adriane (Abby Quinn, “Torn Hearts”) have inherited the vision of the end of this season. . world , but they believe that the only way to stop it is if Eric, Andrew and Wen decide to kill a member of their family. They cannot be killed and no one else can kill them. And every time Leonard asks, if they refuse, something terrible will happen to the world.
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“Cock in the Cabin” has a premise that requires no ambiguity to work a little, because as soon as Shyamalan lifts his hat, the story is over. On the face of it, it’s a film about religious doubt and self-sacrifice, and it’s not very interesting because it’s not about Eric and Andrew’s religion. It was the zealots who knocked on his door who really didn’t want his sacrifice.
Of course, Andrew is quick to point out that what we’re dealing with, regardless of the context, is a violent crime against the ruling family, which Leonard insists is just a coincidence. . It is easy for Leonard to say that he did not write history. The authors of the article have no such excuse. Every choice is intentional and has consequences.
Knock At The Cabin
What this means, without giving away its ending, is that “Coke in the Cabin” is a movie about one of two things: Or it’s a movie about religious people who attack families who run races and it we will probably make ourselves happy. . and, or is it a movie about how the only way to save the world is if religious extremists can convince homosexuals that the Old Testament is right and the world would be a better place if one n ‘inside them is not.
It’s a very sad fork in the road and it’s disappointing to see that no one is looking for another way. Shyamalan is not interested in keeping the mystery alive from the end, and none of the characters have the intelligence to find solutions to their problems outside of the two numbers that are given to them. In the end, the film only proves itself to be an ugly and thoughtless work, wherever it falls.
Which is not to say that it is a bad movie or that the actors in it do a bad job. The two filmmakers of the film, Jarin Blaschke (“Northman”) and Lowell A. Meyer (“Not Above”) find a moving body in the middle of the bright sunlight bright and strong shadows and make this house, for all the fear they face. interior: looks very good. There is a library there that would be the envy of any bookie. It is everywhere that distracts and it is its own event, and it is one of the best.
Dave Bautista steals the show in action, his high chest providing a great contrast to his soft curves. “Cock in the Cabin” wants you to know that the fanatics who force this strange family to kill each other have a soft side. For a film about religious violence, the film seems genuinely afraid to comment on organized religion, specifically or in general, and its history of action. really strong.
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It’s surprising that a quiet, conversational comedy like “Cock in the Cabin” can seem as young and intelligent as Drew Goddard’s “Cabin in the Woods,” a piece of fiction. The myth of the past, at least. , have something to say about violence, unfair sacrifice, and a world that needs it. But what? To save the situation is there? Situations of violence and unfair sacrifice?
It took Shyamalan and two other writers, Steve Desmond and Michael Sherman, to make this simple story seem simple. It’s a film with violence and no point, just a disturbing thought that comes to a dark and unsatisfying conclusion, an unexplained and uninteresting conclusion. But unfortunately it leads to the rest of us turning our eyes and wishing that we would go somewhere else instead of a lousy “house”. Even Airbnb “Barbarian” would have been better than this.M. Night Shyamalan’s “Cock in the Cabin” is the latest song from the “Sixth Sense” and “Unbreakable” director. It asks the question: save your family or save someone? If you want to know how, where and when to see M. Night Shyamalan’s new movie, we’ve answered all your questions below.
“Coke in the Cabin” is now only available in theaters after its February 3 release. Check your local listings to see where it’s playing at a theater near you.
However, since the film is a Universal Pictures release, we can expect it to play at the Peacock sometime in the next few months. Stay tuned.
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Jonathan Groff and Ben Aldridge star as a couple on a family vacation with their daughter, played by newcomer Kristen Cui.
Dave Bautista, Rupert Grint, Abby Quinn and Nikki Amuka-Bird star as a group of criminals trying to break into their motel.
While a girl and her parents are vacationing in a remote cabin, four armed men lure her family into making an unthinkable decision to prevent the apocalypse. With no access to the outside, the family must decide what to believe before all is lost.
The movie is based on the book “The Cabin at the End of the World” written by Paul Tremblay, although the plot comes from the source.
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In his review for , William Bibbiani praised Bautista’s work, saying that “his high wood gives a strong contrast to his soft side”. However, others are disappointed with it, calling it “a violent movie and nothing, just a bad idea that comes to a bad end, which -not good.” Night Shyamalan scored this season with a psychological thriller starring Dave Bautista.
Dave Bautista and Nikki Amuka-Bird play strangers who bring Andrew (Ben Aldridge, back to camera) and his family to “Knock on the Cabin.”
If M. Night Shyamalan ever directed anything else after his sensational trio of “The Sixth Sense” (1999), “Unbreakable” (2000) and “Signs” (2002), that would be the legacy of -permanent, but definitely Shyamalan. has continued to make his twisted films over the past two decades, delivering critically acclaimed spoofs like “Lady in the Water” (2006) and “The Last Airbender” (2010) before he made a great comeback with “The Visit” in 2015 and “Kwarawaa” a year later, not to mention being one of the creative forces behind the hit Apple TV+ series “Slave.”
The metal casing goes on. Shyamalan broke our hearts with the expected but confused “Unbreakable” series “Glass” in 2019 and disappointed again with “Old” in 2021, but now comes “Cock in the Cabin ,” and I think that will be devastating. from some critics and supporters for its radical change and counter-intuition, I found it to be a mind-blowing piece that dares to try something different.
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In a world full of sequels and prequels and franchises, there’s still something refreshing about original stories and standalone worlds. (I mean, there could be “One more time in the cockpit”, but…it doesn’t matter.)
Universal Pictures presents the film directed by M. Night Shyamalan and written by Shyamalan, Steve Desmond and Michael Sherman, based on the book “The Cabin at the End of the World” by Paul Tremblay. Rated R (for violence and language). Time: 100 minutes. Opens Thursday in theaters.
“Cock in the Cabin” from Paul Tremblay’s acclaimed novel “The Cabin at the End of the World,” and while Shyamalan and writers Steve Desmond and Michael Sherman retain the main characters.
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