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The Reading Movie
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Michael Berg (David Kross), a teenager in post-war Germany, begins a passionate but secretive relationship with Hanna Schmitz (Kate Winslet), an older woman who enjoys reading classic novels to her. Then Hanna mysteriously disappears, leaving Michael sad and confused. Years later, Michael, now a law student, gets the shock of his life when he sees Hanna on trial for Nazi war crimes. Established in 2007, it has quickly become a major player in Taiwan’s film entertainment industry, providing a wide range of outstanding films. both in quantity and quality. Over the years, it continued to distribute more than 30 films in theaters each year, averaging one film every two weeks and over 100 titles for release on home video, TV and digital platforms. Today, we are the largest independent distributor in Taiwan, with a library of over 2,000 titles, most of which we exclusively own all rights to.
Taking advantage of the digitization of Taiwan’s pay TV systems, the HD Movie Channel was launched in early 2013. Today, it has around 1 million subscribers through partnerships with major pay TV operators. Our wide and diverse range of content has made HD one of the most popular linear movie channels in Taiwan.
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In 2014, in addition to spreading the love for cinema, we seriously embarked on co-production and investment projects and ventured into content creation. In the same year, we invested in the locally produced film, Paradise in Service, and co-produced 20 Once Again with CJ Entertainment for the Chinese market. Both investments produced significant box office performance in Taiwan and China, respectively.
In early 2015, we signed a partnership agreement to invest in New Regency’s three compelling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment by a Taiwanese company in major Hollywood productions. and partners also control the exclusive distribution rights for these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating excellent box office results in these territories in 2016. In the same year, he also provided financing and local production support for the project. Silence, from director Martin Scorsese, becoming the first international production to be filmed entirely in Taiwan.
Today, we continue to explore investment and co-production opportunities internationally and in Asia, primarily targeting Chinese-speaking areas and Southeast Asia following our recent expansion footprints.
Began placing significant emphasis on developing digital film content years before others did in Taiwan. Today, we are the largest provider of premium cinematic content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount, as well as a wide selection of international independent films and leading local productions for distribution to major operators. ‘ digital platforms.
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In addition to content aggregation, AsiaPlay Incorporated was established in 2015 with the ambition to become the leading provider of premium content services for movie lovers in Asia.
In March 2016, the + service platform piloted its launch in Taiwan in partnership with leading telecom operators and device manufacturers. In June 2016, the service platform was launched in Indonesia, in collaboration with market leaders IndiHome, Telkom Indonesia. This was followed by extensive partnerships with Telkomsel, Indosat and First Media, and in Singapore, collaboration with the market’s leading telecom operator, StarHub.
Today, Media Holdings Group owns two different companies – Incorporated and AsiaPlay Incorporated – involved in production, distribution, linear cinema channel operation and content aggregation, and platform operation for digital entertainment services.
In 2015, it established AsiaPlay Incorporated with the ambition to become Asia’s largest movie content service provider. Rather than adopting a “one-size-fits-all” strategy of major international players, we believe and accept, with years of experience and passion for content, the importance of each market’s unique content needs and preferences. Through our passion for film and belief in co-creation, both internally and in partnership with the leading local operator – we have established a mission to provide the best content offering tailored to the unique needs of each market and deliver a superior user experience that will be appreciated by movie lovers universally.
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In March 2016, the + service made its pilot launch in Taiwan. In June 2016, the service was launched in Indonesia, in partnership with market leader Telkom Indonesia, and in Singapore, in partnership with the market’s leading pay-TV and telecommunications service provider, StarHub.
Today, Media Holdings Group owns two different companies: Incorporated and AsiaPlay Incorporated, involved in production, theatrical distribution, linear film channel and content aggregation, and platform operation for digital entertainment services. Their relationship lasts only one summer and starts with a bout of vomiting. High school student Michael Berg vomits in front of streetcar conductor Hanna Schmitz’s apartment building. This is the period after World War II.
In the midst of prudish Adenauer Germany, the 15-year-old and the quiet 21-year-old woman become their oldest lovers. They meet secretly at her apartment, shower together and have sex. Another ritual unites them: Michael must always read to Hanna.
“She was an attentive listener. Her laugh, her snorts of disdain and her furiously enthusiastic comments left no doubt that she was following the performance intently.”
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What begins as a tender love story ends abruptly when Hanna disappears. Years later, Michael meets her by chance in a courtroom. She was accused of the mass murder of hundreds of Jewish women. Her ex-lover as a cold-blooded Nazi assassin?
Schlink slowly reveals Hanna’s secret. She is illiterate. That’s why she likes to have someone read to her. She accepts the ultimate punishment just so she doesn’t have to admit her big secret—out of shame, out of fear of being exposed.
Kate Winslet mesmerized viewers as Hanna in the movie based on the novel; for the role she received an Oscar for best actress in 2009. Image: picture-alliance/dpa/Senator Film
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Michael, who doesn’t miss a day of trial, acknowledges her weakness but remains silent nonetheless. After she was in prison for a while, he began to read Hanna again – world literature from Schnitzler to Chekhov, and this time he recorded it on cassettes, which he sent to her in prison.
It’s only now that Hanna finally gets over her shame. She learns to read and write and begins to process her feelings of guilt. Genocide for lack of education? Schlink’s protagonist, an older Michael Berg, ponders this guiltily.
Became an international bestseller and has been translated into 40 languages. It has sold millions of copies and is required reading in many German schools. However, critics still blamed the author for “a basic attempt at enlightenment” and “cultural pornography”. Why choose an uneducated woman to personify the German debt? They said Schlink turned an SS henchman into a character people could relate to.
But that is precisely the appeal of this novel. It reveals the banality of evil. The perpetrators were ordinary people who did not expose their animalistic transgressions. Schlink does not relativize Hanna’s guilt through her illiteracy. Rather, he shows how each individual’s human fallibility can lead to her downfall.
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Bernhard Schlink was born in Bielefeld in 1944. He is a lawyer and lives in Berlin and New York. your novel
, which was published in 1995 and turned into an award-winning film released in 2009, brought him international fame.
We’ve compiled this list of online links to guide you to the publishers of the books you need to read, where you can buy them. (20.11.2018)
German author Bernhard Schlink is best known for his international bestseller “The Reader”. Her new novel, “Olga”, covers the history of Germany throughout the 20th century. (12.01.2018)
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A film about Germany’s Red Army Faction is one of the films with a chance of winning an Oscar on Sunday. It’s just the latest in a series of productions that deal with the country’s recent past. (21.02.2009) When the lights came up at the end of Stephen Daldry’s “The Reader” in the theater, I sat in confused silence. What was wrong with the movie I just saw? That I liked
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